I have found that the more I know about and listen to composers such as Bach, Mozart, Tchaikovsky, and Stravinsky, the more I appreciate well-crafted and well-performed music of other types.
The “glamorous” life of a musician is not always that glamorous.
In this final part of our concertmaster conversation, David Danzmayr mentions that he sometimes steps back and leaves the orchestra to play segments of pieces alone, because thereare times that the conductor can just “get in the way.”
Musical art this Saturday with ProMusica Chamber Orchestra at the Columbus Museum of Art.
The concertmaster is the last musician onstage before the conductor – and any soloist in, say, a concerto. ProMusica Chamber Orchestra Music Director David Danzmayr about the role of the Concertmaster.
Being a composer, performer, or conductor oftentimes means you do one thing exclusively. The amount of time it takes to prepare to conduct, plan concerts, etc., seems to leave little time for practice.
A question that comes up from time to time at concerts is, “Couldn’t they amplify the (insert any instrument here) so we could hear it better over the orchestra?” In the latest edition of the podcast we talk about this subject.
Oftentimes it seems conductors are up there waving their arms, but no one in the orchestra is watching. ProMusica Chamber Orchestra Music Director David Danzmayr says looks can be deceiving – that there is a lot more communication going on than meets the eye – and it all starts with the Concertmaster.
ProMusica Music Director David Danzmayr spoke about how he deals with sleep…or the lack of it.
During my ongoing conversation with new ProMusica Chamber Orchestra Music Director David Danzmayr and Executive Director Janet Chen, we began looking at the future of Classical music, both in our country and elsewhere. The conversation, as you might expect, turned to children and music education.